Met Live in HD: Die Zauberflöte
Live Broadcasts | 10/21/2017 | 12:55PM
On Sale Schedule:
- Thursday, July 13, 2017 – On Sale to Met Members
- Monday, July 17, 2017 at 10:00AM – On Sale to Paramount Star Circle Members
- Wednesday, July 19, 2017 at 10:00AM – On Sale to Paramount Members
- Friday, July 21, 2017 at 10:00AM – On Sale to General Public
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Wolfgang Amadeus Mozart
Run Time: 3 hours, 9 minutes
Sung in: German
Music Director Emeritus James Levine conducts the full-length German version of Mozart’s magical fable, seen in Julie Taymor’s spectacular production, which captures both the opera’s earthy comedy and its noble mysticism.
Production a gift of Mr. and Mrs. Henry R. Kravis. Additional funding from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and Mrs. William R. Miller, Agnes Varis and Karl Leichtman, and Mr. and Mrs. Ezra K. Zilkha
About the Met Live in HD
In December 2006, The Metropolitan Opera launched The Met Live in HD, a series of performance transmissions shown live in high definition in movie theaters around the world. The series expanded from an initial six transmissions to ten in the 2014-15 season and today reaches more than 2,000 venues in 70 countries across six continents. The Live in HD performances are later also shown on public television, and a number of them have been released on DVD. In partnership with the New York City Department of Education and the Metropolitan Opera Guild, the Met has developed a nationwide program for students to attend Live in HD transmissions for free in their schools. The Paramount began broadcasting during the in 2008-09 season and is pleased to continue to present this series for the community.
Premiere: Freihaus-Theater auf der Wieden, Vienna, 1791. Die Zauberflöte—a sublime fairy tale that moves freely between earthy comedy and noble mysticism—was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life. The story is told in a Singspiel (“song-play”) format characterized by separate musical numbers connected by dialogue and stage activity, an excellent structure for navigating the diverse moods, ranging from solemn to lighthearted, of the story and score. The composer and the librettist were both Freemasons—the fraternal order whose membership is held together by shared moral and metaphysical ideals—and Masonic imagery is used throughout the work. The story, however, is as universal as any fairy tale.
The libretto specifies Egypt as the location of the action. Egypt was traditionally regarded as the legendary birthplace of the Masonic fraternity, whose symbols and rituals populate this opera. Some productions include Egyptian motifs as an exotic nod to this idea, but many more opt for a more generalized mythic ambience to convey the otherworldliness that the score and overall tone of the work call for.
Die Zauberflöte was written with an eye toward a popular audience, but the varied tone of the work requires singers who can specialize in several different musical genres. The comic and earthy are represented by the baritone, Papageno, while true love in its noblest forms is conveyed by the tenor, Tamino, and the soprano, Pamina. The bass, Sarastro, expresses the solemn and the transcendental. The use of the chorus is spare but hauntingly beautiful, and fireworks are provided by the coloratura Queen of the Night.